On Kime

Whispers have always surrounded Charles, Prince of Wales. Less scandalously, he was said to have been a pick of the Queen Mother. Charles apparently inherited the Queen Mother's robust country attitudes. He is often photographed in kilt and sporran roving Balmoral hills. The Queen Mother enjoyed fishing and often called bones digested from a catch, "the salmon's revenge." 

An attitude, often shared by country people in the United States and Britain, is a regard toward an anachronous house. One has often seen Charles' appreciation of traditional design. He restored Dumfries House terrifically as showcased in Architectural Digest. 

Writer's favorite Dumfries room, the sitting room designed for Prince's use:

Prince isn't alone in renovating. He's hired top experts bringing to life royal times gone by. One designer, Robert Kime is a standout.

Robert Kime has been decorating for almost his entire life. Kime has worked with a good many royals- they must be the discreet clientele his website speaks of. 

Most notable he attains this symbolage:

Yes, Kime is royally appointed to the Prince of Wales. 

Kime's worked on such renovations as Clarence House for his majesty:

Kime is royal decorator by way of accrued knowledge. Kime is world traveler and antique doyen. He has leveraged his collected pieces from all over; his cultivated style into courtly positions. Still Kime is ever grounded. 

Kime told the Telagraph, "My belief is that provided the proportions are right, a room should work, whether it is for a gardener or the Queen of Spain." 

This easy sensibility is also a factor that's led to Kime's success. 

One can see it in his own home, an old village hall in Oxenwood, Britain:

One spots easily Kime's signature look- threadbare rugs, plaids, faded primary colors and pieces that have stories. 

That's a very integral and interesting part of traditional anything. Traditionalists love a story whether it be behind a gesture or a lamp. 

Kime expresses his flair for history in his fabrics, wallpaper, furniture, carpets and lighting- Kime has his own line. 

His designs always have a hint of Victorian; a hint of another world.

Now, isn't that so British of Kime!

Exploring Hepplewhite

Considering a penchant for baroque style and classic cinema, it is no surprise that a bench caught the writer’s eye watching Father’s Little Dividend. The film, a sequel to Father of the Bride and inspiration for the 90’s Father of the Bride Part II, satisfied a recent Spencer Tracy kick. It also supplicated the underestimation of Hepplewhite. For one who knows antiques and the writer, this is inane. Writer is Chippendale groupie forever. Just look at this fretwork- Chinois, Chinois.

And, one wouldn’t discuss Chippy without applauding his fretwork being applied to bookcases!

Digression- below is said bench.

Father’s Little Dividend’s set is replete with 40’s traditional touches. Remnants of this design angle may be viewed at Grandmother’s house- especially Victorian settees and too lacy curtains. Though, above bench is strange, elegant and begged, “Who is Hepplewhite to create such inspiration?”

George and his widow, Alice, who posthumously carried on his business, were prolific Louis Seize à l’Anglaise designers in the latter eighteenth century- haute rococo. Hepplewhites never fashioned furniture themselves. Hepplewhite company rose as one of the big three cabinet designers in Britain. Still, some sources give Hepplewhite haughty critique disclosing a heavy Robert Adam and Angelo Pergolesi influence maybe implying hackneyed origins. Some even unabashedly equalize Hepplewhite and Sheraton!

Sheraton:

Obviously, one may become dizzied by Sheraton’s use of cherubs and rosettes- very Norma Desmond. Hepplewhite typifies a kind of restraint- so invents the case for a changed view on a timeworn style.

Marqueterie, inlay work, variations on Pembroke:

Notice tapered legs. Hepplewhite craftsmen usually used mahogany- the en vogue wood.

Pier table with substantial legs à la Chippendale:

Wing back with winding wings and tapered legs:

Tantamount with Hepplewhite- the shield back chair:

Delicate touches on chair- Hepplewhite craftsmen used composition ornaments made from a putty amalgam:

Wouldn’t this chair look attractive paired with something exotic (maybe a taxidermy leopard)- very Fornasetti! Neoclassicism is Hepplewhite mainstay:

Gouty Stool used to prop the gout inflicted:

Regal duchesse perfect for Duchess de Polignac:

Sectioned confidante:

Amply geometric sofa: 

Urn knife cases:

Cellarettes- usually placed under side table in dining room to hold wine and decanters: 

Secretary:

Lamps:

Wardrobe:

Bidet shaving tables and commode dressing table:

Night tables:

Fire screen:

Girandole:

Pier glass used to decorate large spaces between windows:

Bed:

The Français ornateness does strike some as comical. And, one does assume it the reason that Hepplewhite usually only refers to sideboards and pleasant side chairs. The furniture is a bit Frenchy, but one must concede that the pieces are easily appreciated. Cin, cin, Hepplewhites!

The writer owes images to T. Chippendale's The Gentleman and Cabinet-Maker's Director, "being a large collection of the most elegant and useful designs of household furniture in the gothic, Chinese and modern taste," A. Hepplewhite’s The Cabinet-Maker and Upholsterer’s Guide, “repository of designs for every article of household furniture in the newest and most approved taste,” and T. Sheraton's The Cabinet-Maker and Upholsterer's Drawing-Book, "recommended by many workmen of the first abilities in London who have themselves inspected the work." 

The writer owes more obscure information to J. Munro Bell’s, Arthur Hayden’s and Charles Messer Stow’s The Furniture Designs of Chippendale, Hepplewhite and Sheraton.